The Value of Editing, Revising, and Not Giving Up

I use Grammarly's free grammar checker because it's a nerdastically fabulous source to ensure that you don''t sound like a twelve year old with a MySpace account. 

My first novel took about 4 years. The 1st draft was giant binder full of handwritten pages. Then I was finally able to get a computer, but no internet and type it up. With dreams of book deals dancing in my head, I checked out the latest copy of Writer's Market and mailed out a slew of query letters.

Naturally, that didn't turn out so well. After a few months of dejection, I got an idea for another book.

I hand wrote the pages at work and was encouraged when a coworker snatched them from my hands and demanded to know what happened next. 

I finished it shortly before I was able to get the internet. I immediately googled agents and sent a flurry of email queries. I got a few requests, but mostly rejections.

I tweaked the manuscript and researched the industry and eventually made friends with other authors. Finally I found what I was supposed to have done in the first place: have other people critique it first. Many other writers graciously volunteered. 

Alas, none of them ever sent me feedback, except for one, who critiqued the first couple chapters and flat out said, "I stopped reading here. I'm sorry." 

Thankfully, one saint of a reader made her way through the whole thing and pointed me in the write direction on fixing it.

I rewrote it and found more beta readers.This time, all made it through and provided excellent feedback. None seemed to adore it, however. I rewrote it again before sending out more queries and getting MORE rejections. 

"My book SUCKS!" I wailed, and tossed it in the proverbial trunk and began a new book ...in a completely different subgenre. My 3rd novel, BITE ME, YOUR GRACE ultimately landed me my fist book deal. And that one also endured at least 6 revisions.

However, my previous book, WRENCHING FATE lingered in my mind. Using all I learned from my 3rd book, I completely overhauled and rewrote the 2nd one. It was practically my 4th novel.

I found more critique buddies and guess what: they LIKED it! Alas, with the publication of BITE ME, YOUR GRACE and working on the other books in that series, as well as working on other shiny new ideas, I had little time to work on WRENCHING FATE.

But that story never left my mind.

Whenever I had a spare moment, I utilized the feedback I received from my beta readers and critique partners and revised it again.

And again.

Now it's in the hands of the final batch of beta readers.

And guess what?

They're already messaging me to tell me they LOVE it!! 

The moral of this story is that if you know deep in your heart that you have a good story, it is indeed possible to make it a great, well written story. 

It just takes a TON of hard work, determination, lots of learning, and countless revisions. Utilizing sources like Grammarly, which I mentioned above, as well as reader feedback and learning from your own mistakes can aid you in your journey to success.  

Lessons in Beta Reading, Part I.

In the past 30 days I've read and critiqued 3 manuscripts. In return, my buddies have been working on mine as well. One thing I've learned from doing this is that it helps me to become a better writer. Many of the errors and mistakes I've found in my buddies' stories are often found in my own. Now when my buddies and I go through each other's work we go through it all the way, which means we point out spelling, punctuation, and grammar issues as well as add comments and feedback within the text. Over the course of my reading I've spotted enough patterns to merit two blog posts.

Part One: Common Errors in Spelling, Grammar, and Punctuation.

1.) Its vs. It's. Its = belonging to it. It's = It is. Example: It's the biggest one I've ever seen! Its girth is terrifying! (Hey, I'm a romance author. Of course that's the first thing that came to mind.)

2.) Loose vs. Lose. Loose= opposite of tight. Lose = loss of something. Your corset is loose. Your girls may lose their support.

3.) Your vs. You're Your = belonging to you. You're = you are. Ex: Hey, hot guy, you lost your shirt. You're making my tummy flutter.

4.) Each other = 2 words. I had a nasty habit of making it one. Please say I'm not alone!

5.) Questions end with question marks! I blame JR Ward for this one. For some reason her characters turn their questions into demanding statements to emphasize how manly pissed off they are...or something. It worked for a bit but got old fast. "What are you doing." = wrong. "What are you doing?" = no headache.

6.) Plural nouns vs. Names anding with S. For some reason a lot of people want to treat a main character with a name ending with "S" as a plural noun, which is incorrect. Proper use: Silas's breath caught at the girls' incredible music. Wrong: Silas' breath caught...etc.

7.) Commas and the word "then." I don't know anyone, including myself that hasn't had an issue with this. There is no comma before then! Ex. She filled the pitcher then carried it to the table. NOT She filled the pitcher, then carried it to the table. Don't ask me why that's wrong, it just is. (HEY, DEAN, IF YOU ARE READING THIS, PLEASE TELL US WHY, OH FELLOW NERD PAL!)

8.) Proper punctuation with dialogue. This is was a disease I had until a wonderful beta cured me. Wrong: "Blah blah blah." He said. Right: "Blah blah blah," he said.

I know there's tons more, so please feel free to chime in! Next time I'll focus on structural issues.

10 New Things I've Learned as an "Experienced" Author

After having written eight novels, multiple A-grade academic papers, and a couple award winning short stories, I feel I have the right to call myself "experienced."

However, I am still a newbie in the grand scheme and I have learned a ton of things in the last few years. Some are laughably simple, especially the ones involving formatting manuscripts. Please don't laugh at me, more technically inclined people.

After all, the first one and a half books I wrote by hand in large notebooks because I couldn't afford a computer. So of course when I finally got one, I had to learn how to use the thing along with Microsoft Word. And let me tell you, after nearly five years I am still learning Word. So about half the things on this list will deal with that. :)

Without further ado, here's a few things that have improved my job.

1.) Holy Crap there's a difference between "enter" and "tab?"

Apparently hitting tab instead of enter not only adds an extra space, but it also screws up the format. Paranormal Romance author, Terry Spear, directed me to the little paragraph symbol on my MS Word toolbar. Tabs are revealed as arrows and extra spaces....

2.) Whoa, a better way to find extra spaces without relying on eyesight alone?

That nifty paragraph thingie also reveals extra spaces as dots. When you have them before a paragraph break it looks like the paragraph symbol has a nipple and that makes me giggle. Then I sigh in gratitude that I don't have to rely on my eyes alone anymore.

3.) I will always need fresh perspectives on my work. 

No matter how many tips I've received from other writers or how much I think I've improved, there are still times when I think I've written my best work ever and have others reinforce that belief...and I still need to be struck down by those who know better. Because one's work can and should ALWAYS be improved.

4.) More in depth outlines really help me.

I'm like a hybrid between a "plotter" and a "pantser." I always have the characters and at least a scene or two in mind before I start a project. Then I slowly make placeholder notes of scenes between whatever I'm writing.

However, once you're contracted with a publisher you need to have the synopsis and other plot details figured out often BEFORE you write the first sentence. As daunting as it is, I've noticed that doing so makes writing the book go a whole lot easier as it clears a path away from too many rabbit holes.

5.) Habit words will never cease to haunt me.

Like a persistent and constantly mutating virus, habit words infect EVERY manuscript. Most recent ones have been "Was," "That," "And," "But," and "Now." Critique partners and beta readers are priceless for spotting these buggers. The "Find" feature in Word really helps too.

6.) You can set your preferred font.

I don't know how many times I reopened word to have it automatically reset itself to Calibri 11 and exploded into screaming expletives. I mean, who the hell uses that stupid font? I think I manually reset it and shrieked, "Times New Roman 12, bitch!" for over two years before someone, not even a writer, pointed out, "Hey, you can go to 'set default font' y'know."

It was too much of a happy day for me to kick myself for being a moron. Speaking of which...

7.) Inserting page breaks REALLY helps!

Seriously, I spent 8 manuscripts and countless revisions scrolling up and down entire documents and manually tweaking stuff so each chapter is neatly centered on the top of a new page. Then someone's all "Insert Page Break is a lot easier, y'know." This is another D'oh! moment.

8.) How to center stuff like chapters and scene breaks.

I am so grateful for the times I brought by laptop to the bar. Especially the time my drinking buddy leaned over and said, "Control E."

9.) Other authors are incredibly supportive!

Seriously with everything from promo help, advice, and a shoulder to cry on, other authors have been there for me in ways that have me overcome with gratitude. I hope to repay the favor whenever I can.

10.) How to be assertive about my "I need to work" time.

Being a writer is a work at home job for the most part. Some are lucky to have an office to lock themselves in. I am not. My writing area is the couch with my laptop sitting on a TV dinner table. Couple that with 3 kids, a husband, 3 cats, a dog, and surprise guests and it's damn near impossible to get anything done.

Over the years I've had to learn how to make it clear to others that writing is my job and when I'm on my laptop, I am AT WORK!!! Sometimes it gets through their heads. And sometimes I need to have the feline overlords guard me.

The Sh*t Just Got Real.

Dio always knows the right thing to say. These are indeed words to live by...even though they're a little blurry.

Okay, so I finally got a book deal. Now that the ecstatic joy has gone down to a sane level, (okay, as sane as I can be) I need to begin focusing on what this means for me. The obvious being, no longer can I be considered by anyone (or myself on a bad day) a hobby writer.

Because, the sh*t is real now.

My editor said we have a lot of work to do: namely edits and working on my career path. As it says on their website: Sourcebooks publishes authors, not books.

Career...I haven't heard that word applied to me since I got my degree in automotive. A degree I can no longer use. However, I've been treating my writing as a career for the last two years. I've made self-imposed deadlines, gone through line edits with friends, built up a humble platform, and discovered the value of social networking (other than winning free books.)

But now it's a REAL career. The deadlines will be real, the edits will be through trained professionals who are not going to take it easy on me. My platform and social networking could impact my sales.

I know the work my editor referred to is going to be a lot more than revising BITE ME, YOUR GRACE. Speaking of, when I said that to my husband, he said, "But, I thought you edited it already." The house practically shook with my hysterical laughter.

Anyway, besides polishing that work, there's going to be a multitude of preparations before I make my debut. Namely, what project will be the next focus? No longer can I willy-nilly hop around sub-genres. Not right now, anyway. At first that sounds restrictive...until I remember the anxiety that came from: "What project should I work on next? I have one idea here, and another there!" Now, I will have guidance and help in shaping my personal brand. And that comes as such a relief.

What am I doing now, so early on my journey?

As you can see, I've deleted the progress bars for my other projects from my site until I figure out what I'm working on next. Also, I've finally figured out how to add pages to this blog. Aren't the tabs cute? Those pages are pretty bare for now, except for the one where I list my upcoming guest posts. Check it out. I got some good ones lined up already. The "books" tab is for now a source of happy daydreams of what's to come. As for the "About Me," I'm going to do my best to seem awesome. :)

Because my career is REAL now. Hey, do you think if I say that to the kids, they'll behave and let me work when they're around?

No? ::sigh:: That's what I thought.

Thanks to all who are here for me and been supportive of my journey so far. I'll pop back in and say "Hi" later. Now I gotta go to my Idaho Writer's League meeting, where Shelley Martin and I are interviewing everyone as their characters. To keep the Halloween spirit, we're also bringing some spooky goodies. I carved a pumpkin to "barf" up smoked salmon spread and made deviled eggs to look like eyeballs. Shelley's got pumpkin bread, lady fingers...and a chocolate fountain. It bears repeating: A CHOCOLATE FOUNTAIN. 

Seeking the The "Holy Grail" of publication.

I'm going to share a few things I've learned about my journey using quotes from the movie, "Monty Python and the Holy Grail." Hey, someone did it with "Princess Bride."

"When I first came here, this was all swamp. Everyone said I was daft to build a castle on a swamp, but I built in all the same, just to show them. It sank into the swamp. So I built a second one. That sank into the swamp. So I built a third. That burned down, fell over, then sank into the swamp. But the fourth one stayed up. And that's what you're going to get, Lad, the strongest castle in all of England." 

Getting published takes determination and you likely won't succeed until your 3rd or fourth book.

  "Welcome, brave sir Knight. Welcome to the Castle Anthrax."  

"The Castle Anthrax?" 

"Yes... it's not a very good name, is it? Oh, but we are nice, and we'll attend to your every need."

A good title can get you far.

"Meanwhile, not more than two swallow's flights away, Arthur and Bedivere had discovered something. Oh, that's an unladen swallow's flight away, obviously. There were more than two laden swallow's flights away, four really, if they had the coconut on a line between them. I mean, if the birds were walking, and dragging the coconut..."

"Get on with it!"

Your plot needs good pacing and better not ramble.

"Oh, wicked, bad, naughty Zoot! She has been setting a light to our beacon, which, I've just remembered, is Grail shaped. It's not the first time we've had this problem." 

Be sure to always check submission guidelines to be sure that your manuscript is what they are looking for.

"First shalt thou take out the Holy Pin. Then shalt thou count to three, no more, no less. Three shall be the number thou shalt count, and the number of the counting shall be three. Four shalt thou not count, neither count thou two, excepting that thou then proceed to three. Five is right out. Once the number three, being the third number, be reached, then lobbest thou thy Holy Hand Grenade of Antioch towards thy foe, who, being naughty in my sight, shall snuff it." 

Follow Directions!!!

"The Lady of the Lake, her arm clad in the purest shimmering samite held aloft Excalibur from the bosom of the water, signifying by divine providence that I, Arthur, was to carry Excalibur. THAT is why I am your king."
 

"Listen, strange women lyin' in ponds distributin' swords is no basis for a system of government. Supreme executive power derives from a mandate from the masses, not from some farcical aquatic ceremony. 

"Oh, but you can't expect to wield supreme executive power just because some watery tart threw a sword at you. If I went 'round sayin' I was Emperor, just because some moistened bint lobbed a scimitar at me, they'd put me away."

You may have some credibility issues with your plot.

 "Go and tell your master that we have been charged by God with a sacred quest. If he will give us food and shelter for the night, he can join us in our quest for the Holy Grail."

 "Well, I'll ask him, but I don't think he will be very keen. Uh, he's already got one, you see."

They may have already bought something similar.

Finally, they may not be the right publisher for you. But if they do this, you should probably report them to Preditors and Editors.